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(C|Net) Unlikely How to make your LPs sound better than ever. I'm sure that "warm" sound will be enhanced with $12,000 of speaker wire and pro audio equipment   (news.cnet.com) divider line 244
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3683 clicks; posted to Geek » on 05 Dec 2011 at 2:47 AM   |  Favorite    |   share:  Share on Twitter share via Email Share on Facebook   more»   |    Get this fabulous T-Shirt and impress the methane out of your friends! shirt it!



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2011-12-04 09:51:49 PM
Dude has really let himself go since starring in the Police Academy movies. LOL.
 
2011-12-04 10:27:02 PM
Sell 'em off and buy CDs?
 
2011-12-04 10:38:02 PM
Here's the deal. LPs actually DO sound better, but only because it's a write once, it is what it is medium and there's not a bunch on 0's and 1's doing gymnastics in the converters building on/off simulacra as the waveforms are processed. It's not "warmer". It's simply doing what it was told in linear time.

Same thing with tubes. Tubes are NOT "warm" or any of that horsesh*t. The reason valves sound better is the same reason. It is the most linear amplification device on earth. Period. Electrons moving in a vacuum between two grids. There's no "tube color". What your hearing is the sound of no color at all. No switching noise, no on/of malarkey, no slew rates.

A well tweaked tube rig (no overdrive / properly biased) and a turntable with really good speakers will absolutely floor you with detail because there's no big fat rush. No "cheaper, smaller" dictum. Just big, fat, honking electricity hoovers pushing power in a linear manner, constantly, waiting for the signal to hitch a ride.

If you don't give a sh*, cool, but that's why this stuff is so expensive. It does what it's supposed to do. Reproduce the waveforms etched into the recording absolutely without color or additive goo. And 12,000.00 speaker wire is absolute malarkey, as is most audiophile voodoo.
 
2011-12-04 10:42:53 PM
LAST POST

/not that kind of lp?
//carry on
 
2011-12-04 10:50:59 PM
bunner: Here's the deal. LPs actually DO sound better.... Reproduce the waveforms etched into the recording absolutely without color or additive goo. And 12,000.00 speaker wire is absolute malarkey, as is most audiophile voodoo.

All of this.
 
2011-12-04 10:57:58 PM
m0.mattters.com
 
2011-12-04 11:19:31 PM
www.pearcable.com
 
2011-12-04 11:26:56 PM
BooBoo23: bunner: Here's the deal. LPs actually DO sound better.... Reproduce the waveforms etched into the recording absolutely without color or additive goo. And 12,000.00 speaker wire is absolute malarkey, as is most audiophile voodoo.

All of this.


Yes, LPs sound better because of all the dropped low and high end that could never make it into the recording.
 
2011-12-04 11:34:06 PM
MadSkillz: BooBoo23: bunner: Here's the deal. LPs actually DO sound better.... Reproduce the waveforms etched into the recording absolutely without color or additive goo. And 12,000.00 speaker wire is absolute malarkey, as is most audiophile voodoo.

All of this.

Yes, LPs sound better because of all the dropped low and high end that could never make it into the recording.


The RIAA curve actually solved quite a bit of that. I admit, if you gots ta have dat bass slapping the living sh*t out of your floorboard joist spaces, as I often do, it's a limited medium. If you want plain old flat out "that's what the producer signed off on verbatim" fidelity, it's the jazz.
 
2011-12-04 11:43:04 PM
MadSkillz: BooBoo23: bunner: Here's the deal. LPs actually DO sound better.... Reproduce the waveforms etched into the recording absolutely without color or additive goo. And 12,000.00 speaker wire is absolute malarkey, as is most audiophile voodoo.

All of this.

Yes, LPs sound better because of all the dropped low and high end that could never make it into the recording.



That's funny. My manual turntable regularly reproduces subsonics in vinyl that was mastered without a high-pass filter, and as for high frequencies, let me introduce you to this fella Harry Nyquist.
 
2011-12-04 11:50:46 PM
Short version, 44.1/16 is dog droppings.
 
2011-12-04 11:52:49 PM
I don't give a crap about science, or voodoo, or magic, tubes sound better and LPs are best.
 
2011-12-04 11:53:34 PM
In Canada, milk comes in bags.

In America, soldiers come home in bags.

Coincidence?

/Lick my Last Post
 
2011-12-04 11:54:27 PM
bunner: it is what it is

That depends on what your definition of is is.
 
2011-12-04 11:54:48 PM
bunner: Here's the deal. LPs actually DO sound better, but only because it's a write once, it is what it is medium and there's not a bunch on 0's and 1's doing gymnastics in the converters building on/off simulacra as the waveforms are processed. It's not "warmer". It's simply doing what it was told in linear time.

Same thing with tubes. Tubes are NOT "warm" or any of that horsesh*t. The reason valves sound better is the same reason. It is the most linear amplification device on earth. Period. Electrons moving in a vacuum between two grids. There's no "tube color". What your hearing is the sound of no color at all. No switching noise, no on/of malarkey, no slew rates.

A well tweaked tube rig (no overdrive / properly biased) and a turntable with really good speakers will absolutely floor you with detail because there's no big fat rush. No "cheaper, smaller" dictum. Just big, fat, honking electricity hoovers pushing power in a linear manner, constantly, waiting for the signal to hitch a ride.

If you don't give a sh*, cool, but that's why this stuff is so expensive. It does what it's supposed to do. Reproduce the waveforms etched into the recording absolutely without color or additive goo. And 12,000.00 speaker wire is absolute malarkey, as is most audiophile voodoo.


Good post!

I would add, LPs are a codified recording medium. They have their own transfer function and their own level of sound quality. It appears consistent and has a cultural value beyond it's actual performance.

That said, modern digital electronics can crush any analog system. There is no inherent magic behind either vinyl nor tube amps. You can characterize and replicate any transfer function in a moderately priced DSP. Anyone who says otherwise is talking out of their arse. You can replicate the old tube system or design whatever you consider to be perfect.
 
2011-12-05 12:15:07 AM
b2theory: You can replicate the old tube system or design whatever you consider to be perfect.

No, you can create a simulacrum of it. Replete with switching noise. There's a reason that the recording industry is being told to buy digital algorithms of the stuff it was told to throw away.

You may think I'm talking out of my arse, and that's certainly your privilege, but I mixed a few records, here and there, and tracked some live concerts from rock to classical and mixed a few (thousand) live shows and I know one thing.

A simulacrum will always be nothing more.

Yes there's good converters. I prefer none, when possible. Petition the RIAA to abandon 44.1/16 and it will help.
 
2011-12-05 12:16:35 AM
bunner: Here's the deal. LPs actually DO sound better, but only because it's a write once, it is what it is medium and there's not a bunch on 0's and 1's doing gymnastics in the converters building on/off simulacra as the waveforms are processed. adding a flavour of distortion that I find pleasing. It's not "warmer". It's simply doing what it was told in linear time based on the characteristics of the system as a whole as considered as a filter.

Fixed.
 
2011-12-05 12:18:17 AM
SJKebab: bunner: Here's the deal. LPs actually DO sound better, but only because it's a write once, it is what it is medium and there's not a bunch on 0's and 1's doing gymnastics in the converters building on/off simulacra as the waveforms are processed. adding a flavour of distortion that I find pleasing. It's not "warmer". It's simply doing what it was told in linear time based on the characteristics of the system as a whole as considered as a filter.

Fixed.


No, actually, you're just trying to be clever and put words in my mouth. You blew it. Please pack up your projector, and move along.
 
2011-12-05 12:20:19 AM
Oh, and as far as "pleasing distortion" I'l take a well mastered LP on a well designed system in a well designed room over any HOLYSWEETMOTHEROFSH*TTHISTHINGISSMASHEDTO0dBFANDTHENSOME crunchy, airless CD.
 
2011-12-05 12:53:52 AM
The proper way to clean vinyl.

www.turbofark.com
 
2011-12-05 12:56:56 AM
bunner: Oh, and as far as "pleasing distortion" I'l take a well mastered LP on a well designed system in a well designed room over any HOLYSWEETMOTHEROFSH*TTHISTHINGISSMASHEDTO0dBFANDTHENSOME crunchy, airless CD.

I agree here - the whole loudness war with CDs/whatever is at a minimum annoying, and at its worst criminal.

However there's no recording technology in existence that doesn't introduce something into the signal. You can go so far as to ask "What is the original signal anyway?" Stick a fantastic vocalist into a room with some mics. Listen to the singer with your ears. You're hearing vocalist + room. Listen to the signal recorded with the mics. You're hearing vocalist + room + mic freq response. A great mic will complement a singers vocals beautifully, but you can't deny that this isn't still a form of signal distortion.

It's for this reason that I consider the whole argument to be bollocks. Great equipment will sound great. shiat equipment will sound shiat. No need to turn it into an analog vs digital argument at all.
 
2011-12-05 12:58:50 AM
darkhorse23: The proper way to clean vinyl.

[www.turbofark.com image 190x143]


That really needs to be gif-ified
 
2011-12-05 01:01:33 AM
Penis.
 
2011-12-05 01:06:28 AM
SJKebab: it's for this reason that I consider the whole argument to be bollocks. Great equipment will sound great. shiat equipment will sound shiat. No need to turn it into an analog vs digital argument at all.

I agree about the recording chain artifacts. But that's the beauty of recording things. You can choose your tools and battleground Most great recordings are, like most great films, utter artifice or very little artifice. Analogue, to me, DOES sound better especially as far as dynamics. But, mostly for classical, folk and jazz and documentary type recordings. For hip hop, balls to the wall rock and most MIDIpop stuff, yeah. Digital is useful. However, 44.1/16 is still bollocks, as well.
 
2011-12-05 01:08:44 AM
SJKebab: No need to turn it into an analog vs digital argument at all.

Even on my mediocre equipment, LPs sound amazingly better. If only they weren't such a pain in the ass.
 
2011-12-05 01:10:17 AM
Sgygus: SJKebab: No need to turn it into an analog vs digital argument at all.

Even on my mediocre equipment, LPs sound amazingly better. If only they weren't such a pain in the ass.


It's odd how, over the last twenty years, and I do it too, we've come to equate things that have weight and take up space to a pain in the ass.
 
2011-12-05 01:20:47 AM
It's not the weight and space that is the problem, bunner, it is the clicks and pops from wear and tear. Also, I can access any of thousands of digitals tracks instantly, LPs are from a time that moved at a slower pace.
 
2011-12-05 01:21:20 AM
Vortex Dweller: Penis.

So apparently you know dick-all about LP.
 
2011-12-05 01:32:11 AM
Sgygus: , LPs are from a time that moved at a slower pace.

Amen.
 
2011-12-05 01:34:14 AM
Also, unless you are pushing a couple thousand watts per channel, you have no reason to buy anything more than 18-2 for speaker wire.
 
2011-12-05 01:48:58 AM
SJKebab: darkhorse23: The proper way to clean vinyl.

[www.turbofark.com image 190x143]

That really needs to be gif-ified


Challenge accepted.

i.imgur.com
 
2011-12-05 01:52:21 AM
i.imgur.com
 
2011-12-05 01:59:14 AM
Sgygus: SJKebab: No need to turn it into an analog vs digital argument at all.

Even on my mediocre equipment, LPs sound amazingly better. If only they weren't such a pain in the ass.


Has this sort of thing ever been tested in a double blind trial?

I know plenty of people who'll swear to anyone who'll listen that LPs are the only way to LISTEN (like, you know, really listen, man *toke*) to music.
As a former musician, I can understand the concept, however as a data acquisition engineer for the last 10 years +, the question I have to ask is "what is this warmth thing that LP/Valve people are so into?" and the answer I always get is that it has to be a transfer function of the medium in question. Hence the "pleasent distortion" remark earlier. Which is why, in this age of awesome DSP, I just don't care for LPs/Valves/whatever. We can model that "warmth" into the recording and all is well.

This is what I want to see trialled. LP record vs digital playback of the same song with a DSP representation of the LP player/LP/needle combo. I'd be willing to bet that if such a test were done honestly, the difference would be non-discernable.

/Get those Line6 boffins onto it.
//Stat.
 
2011-12-05 02:00:55 AM
Anybody have "Idris Muhammad - Power of Soul " on vinyl?
 
2011-12-05 02:03:09 AM
GreenAdder: [i.imgur.com image 640x480]

No problem at all. : ) There's a reason that pristine vinyl is going for 16.99 to 70.00 a pop and .mp3's are 99¢ if you can get it.
 
2011-12-05 02:06:36 AM
SJKebab: LP record vs digital playback of the same song with a DSP representation of the LP player/LP/needle combo

Yeah! Then we can get a hi-res paint by number Mona Lisa and go to the Louvre. Simulacra. Is there anything they can do?
 
2011-12-05 02:07:51 AM
daRog: SJKebab: darkhorse23: The proper way to clean vinyl.

[www.turbofark.com image 190x143]

That really needs to be gif-ified

Challenge accepted.

[i.imgur.com image 500x375]


And the crowd goes wild!!!!

img.ffffound.com
 
2011-12-05 02:09:05 AM
Ever noticed there's people who collect things and say "I GOT 9287045987298 MOAR THAN U!" and people who use things?
 
2011-12-05 02:17:54 AM
bunner: Ever noticed there's people who collect things and say "I GOT 9287045987298 MOAR THAN U!" and people who use things?

Back when I was collecting comic books, I made myself a promise I would never buy anything that I wasn't going to read.
 
2011-12-05 02:18:17 AM
bunner: SJKebab: LP record vs digital playback of the same song with a DSP representation of the LP player/LP/needle combo

Yeah! Then we can get a hi-res paint by number Mona Lisa and go to the Louvre. Simulacra. Is there anything they can do?


Aside from the difficulties of photographing such a work and getting perfect colour representation, this isn't a great analogy. Let's just say for a moment that someone had managed to get a perfect digital representation of that painting at a resolution comparible to the droplets of paint used. The real thing will still have something that the digital representation doesn't have - texture. And that will be a measurable thing.

Similarly, the LP has a certain "warmth" to it, and a digital model (sufficiently well done) could be made to represent that warmth. The warmth of the LP has to be a physical thing. If we can emulate that physical thing with a model, then what would be the difference between one and the other?

You could make the argument that the models that we've currently made are no match for the real thing. And I'd concede that happily (even though I don't know one way or the other about whether that's true). However what if the perfect model was made. Could you still make the argument that the LP is better if the output of both is identical?
 
2011-12-05 02:30:34 AM
SJKebab: Similarly, the LP has a certain "warmth" to it,

Actually, no. It doesn't. It's twitchy, easily ruined and needs an expensive styles to play back on a regular basis accurately. It is, however, not a digital raster of representational maths. Digital is video. Vinyl, and really good tape, is film. There's no "warmth" any more than there's a thing called "tube warmth". Tubes are simply completely linear devices. As is vinyl and film.
 
2011-12-05 02:31:49 AM
styles / stylus
 
2011-12-05 02:31:57 AM
SJKebab: However what if the perfect model was made. Could you still make the argument that the LP is better if the output of both is identical?

Yes, because LPs would be more expensive and rarer, and therefore people who prefer such things are better than everyone else.
 
2011-12-05 02:35:26 AM
jaylectricity: Also, unless you are pushing a couple thousand watts per channel, you have no reason to buy anything more than 18-2 for speaker wire.

I haven't done the math..what about 300W arms over a 75ft run? I usually use 12-2 lamp cord or extension wire. Still overkill? What's the average voltage for home audio?
 
2011-12-05 02:36:09 AM
RMS.....not arms.
 
2011-12-05 02:37:59 AM
GreenAdder: Yes, because LPs would be more expensive and rarer, and therefore people who prefer such things are better than everyone else.

You know, there's a lot of dipwads putting Armor All on their Shun Mook Mpingos who think that way. But, umm, no. I no more want a perfect mock up of a Lamborghini than I want a mock up of "the vinyl experience". Would you?
 
2011-12-05 02:38:23 AM
bunner: SJKebab: Similarly, the LP has a certain "warmth" to it,

Actually, no. It doesn't. It's twitchy, easily ruined and needs an expensive stylus to play back on a regular basis accurately. It is, however, not a digital raster of representational maths. Digital is video. Vinyl, and really good tape, is film. There's no "warmth" any more than there's a thing called "tube warmth". Tubes are simply completely linear devices. As is vinyl and film.


Eh. Semantics. Replace the word "warmth" with "somethingness" if it makes you feel better. It doesn't change the nature of my argument.
 
2011-12-05 02:40:25 AM
queezyweezel: What's the average voltage for home audio?

There isn't one, if you mean the A/C voltage level out to the drivers. Constant variance unless it's mastered to -.03 dBF.
 
2011-12-05 02:42:25 AM
SJKebab: Eh. Semantics. Replace the word "warmth" with "somethingness" if it makes you feel better. It doesn't change the nature of my argument.

Not so much semantics as debunking bad nomenclature. Models are models. I never liked the sound of calculators. It's all subjective. I always feel like digital sound in a corner on a shelf instead of taking up the room. Subjective, subjective.
 
2011-12-05 02:45:50 AM
I might add that a lot of the 45's on the old school Motown and STAX Records stuff, BRILLIANT catalogues, were smashed stupid and sounded like ass but 45's were the .mp3 of their day.
 
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